Manson Mingott, the Matriarch of the line, would dare. No, he felt as old Sillerton Jackson felt he did not think the Mingotts would have tried it on! He knew, of course, that whatever man dared (within Fifth Avenue's limits) that old Mrs. There was nothing mean or ungenerous in the young man's heart, and he was glad that his future wife should not be restrained by false prudery from being kind (in private) to her unhappy cousin but to receive Countess Olenska in the family circle was a different thing from producing her in public, at the Opera of all places, and in the very box with the young girl whose engagement to him, Newland Archer, was to be announced within a few weeks. Archer entirely approved of family solidarity, and one of the qualities he most admired in the Mingotts was their resolute championship of the few black sheep that their blameless stock had produced. No, indeed no one would have thought the Mingotts would have tried it on! But they had they undoubtedly had for the low-toned comments behind him left no doubt in Archer's mind that the young woman was May Welland's cousin, the cousin always referred to in the family as 'poor Ellen Olenska.' Archer knew that she had suddenly arrived from Europe a day or two previously he had even heard from Miss Welland (not disapprovingly) that she had been to see poor Ellen, who was staying with old Mrs.

Then light dawned on him, and with it came a momentary rush of indignation.

It was annoying that the box which was thus attracting the undivided attention of masculine New York should be that in which his betrothed was seated between her mother and aunt and for a moment he could not identify the lady in the Empire dress, nor imagine why her presence created such excitement among the initiated. Newland Archer, during this brief episode, had been thrown into a strange state of embarrassment.

The annotated innocence of father brown